Montag, 8. April 2013


check this here too.

Michael Northam surely is one the most fascinating contemporary figures and deserves way more attention. He told me once that he is not best in self-marketing. Especially in recent years, tags like "Drone", "Minimalist" and "Experimental" were so heavily abused and consequently misleading, that instead of discovering Michael Northam one would end up paying attention to recordings of irrelevant copycats. So, here I am trying to reach a few more people who open their ears and hearts towards this king of sounds.

Since his earliest memories of family journeys through desert state of Utah, Michael Northam has been intimately and directly inspired by vast geographies, severe weather and and other impressive natural events and places. This life long fascination of the phenomena of perception and experience faced with intimidating scales (large or small) continues to the foundation of his work with sound and images.

His work is the continuation of more than 20 years active art-life-travel which has brought him to visit, work with, and learn from over 90 artists (e.g. Catherine Christer Hennix, Loren Chasse, Yannick Dauby, Melanie Velarde, In Gowan Ring,etc.) from over 50 locations in 25 countries. Through these various experiences he has woven a complex tapestry of influences into a very personal intuitive process of creation. He continues to rediscover relations between visual/physical and sonic structures via a continual activity in graphic design, photography and filmmaking parallel to the sound work. As well as finding and practicing links between 'sound as art/experience' and traditional 'musical' approaches, such as the study of Kirana style raga singing with Michael Stirling (the last student of Pandit Pran Nath) and most recently an intensive residency studying the Dhrupad vocal tradition with the Gundecha Brothers in Bhopal, India.
He has established studios, organized events, made his own way independent of institutions and nationality now for over ten years through relocations between several countries. By now his work has been presented in over 15 countries with CDs published on four continents. He is ever surprised to discover new listeners and collectors of his music in the most disparate places - from Japan to Lapland from Moscow to Montana.
Northam performing "Owl's Songs" at O Tannenbaum, Berlin in 2011
Currently using specially prepared instruments such as the Magnetic Table Harp (a controllable magnetic resonance machine that acts simultaneously as a stringed instrument, a large contact microphone and a tone processor) as well as computer processing, prepared recordings (such as potatoes frying, wind moving through trees and walks through foliage) and a range of sounding objects. Michael explores the no-man's land between improvisation and acousmatic composition. A delicate position poised in search of the ever elusive morphological 'flow' where sound and action melt together and the eidetic triggering of sound as pure material transcends playing into the territory of 'sonic compost' - that which feeds our insatiable need to listen deeper.

Northam is a productive craftman who released uncountable recordings. His discography can confuse as to wander an unknown forest. I want to help those of you out, who seek a path in this vast jungle. However, it is not my ambition to make all of his compositions available here, but to give you some idea of his œuvre.
cyclogenesis (life on tape vol1.)
(with melanie velarde)
tracking the woodwouse
(with eirth/in gowan ring & regina la roca)
shapeshifter owl songs
log cabin
(with jatin vidyarthi & alex bhagat)
(with yannick dauby & hitoshi kojo)
les arrels de la mare serp
(with emmanuel holterbach)
golden shadow
(with jatin vidyarthi)
brilliant tedium
le neuvième déguisé en sept

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