Nigel has rooms full of old machines. Many of them found their way onto this album. He’s also a visual artist (mostly pencil and watercolor), a cinematographer and a photographer, developing his own films and photos in his flat in Dunedin, New Zealand.
Anyone that’s heard his music no doubt first became familiar with him via the seminal New Zealand compilation Killing Capitalism with Kindness (1992). His contribution “Goodbye God Baby Goodbye” (included in this collection) set the world on end for just over two minutes. It’s a disorienting and exhilarating listen, with primitive computer gurgles and plinked guitar set alongside Nigel’s disturbingly droll vocals. Besides a couple more compilation appearances and a rare lathe cut 7” EP, nothing else was released by Mr. Bunn.
Alastair Galbraith (Emperor Jones’ resident Pacific Rim A&R dude) coaxed/tricked Nigel into assembling a double album of his work, and the result is this impressive body of work Nigel calls Index. It’s largely instrumental and a good bit of it is loop-based, with pulsating guitar songs. But ultimately all of his music is simply beautiful and his vision alone. (Emperor Jones)
Piero Scaruffi @ the history of rock music)